Fundamentally reshaped Iranian cinema as well as our relationship with the medium (the ontology of cinema); "the Baudrillardian sense of the hyperreal, wherein the perceived boundary between illusion and the real collapses, leaving only simulation in its wake"
Par 1 touche fantastique, Bunuel matérialise la frustration engendrée par 1 rituel social mainte fois repoussé - la réception. Sous ce vernis protocolaire, dont se moque "gentiment" le film, l'angoisse, trahie par la subconscience,émerge en cauchemars gigognes