用偶像劇手法拍的續集配角的戲份實在可有可無整體劇情都是講幾個主要角色的自我完整所有的音樂段落都是內心OS放大但內心戲除了形而上的空話沒有實際內容人物的心理變化動人的前提是CAOLIU导航需要有足夠的戲劇性為前提沒有前提所有的矛盾衝突自省就都很做作兩姐妹吵架的段落不就是party內開會批評與自我批評嗎「受被攻做到腿发颤高H」大量的獨角戲和大頭戲除了雪寶某一段還有一些趣味之外其他也就是流星花園級之所以兩星因為它還算是個日版的流星花園吧最後credits的三首歌可圈可點我都不知道panic at the disco這麼想變Sam Smith.
全程都被戳在泪点上CAOLIU导航·加兰呐成也米高梅败也米高梅如果不是明星制和LB我不信她会变成unpredictable和unstable的万人嫌这部把CAOLIU导航生命最后时光里破碎的美抓得太准了她对舞台的无比执念和对自己的无能掌控像两股互相顶撞的力量一定有一天会积累到令她崩溃只是这个过程被电影一再延展就显得非常残忍Somewhere Over the Rainbow之于CAOLIU导航多像一个诅咒这首歌让她被万千人记住可她终此一生到底也没能找到彩虹之上的奥兹国看这部的时候一直想到My Week with Marilyn但愿蕾妮·齐薇格能比当年的小米奖运好一点
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Shoot down the baddies, strike a pose, get rich! The 2nd movie of the Dollars trilogy could be satirized in these terms, but how unfair would that be? You don’t watch Sergio Leone for deep philosophical insights, but for his filmmaking. For Ennio Morricone’s splendid scores too: he knows when to go silent, how to creep you out with dissonant strings, when to get synchronized and punctuate iconic gestures. He can charm with a chime, and soar into epicness or poise for a showdown. An interesting relationship between the two MC and internal conflicts among conspirators also make for a good story. But it's Maria Volonte as an eerie, brutal, cunning and even sensual villain who shines most.